Free Download The History of the Hobbit, Part 1: Mr. Baggins, by John D. Rateliff

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The History of the Hobbit, Part 1: Mr. Baggins, by John D. Rateliff

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About the Author

John D. Rateliff is a writer, editor, and independent scholar. For many years, he worked with the Tolkien manuscripts at Marquette University and has written extensively on Tolkien and the Inklings. He lives in Seattle with his family.

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Product details

Hardcover: 512 pages

Publisher: Houghton Mifflin Harcourt; F First Edition edition (September 21, 2007)

Language: English

ISBN-10: 9780618968473

ISBN-13: 978-0618968473

ASIN: 0618968474

Product Dimensions:

5.5 x 1.2 x 8.7 inches

Shipping Weight: 1.6 pounds

Average Customer Review:

4.6 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#1,368,237 in Books (See Top 100 in Books)

This was a very well written, exhaustive history of the writing of The Hobbit. It's very comparable to the History of Middle Earth series by Christopher Tolkien that traces (among other things) the history of the writing of the Lord of the Rings. The work is broken into six or seven phases, and the earlier versions of the text are presented in full, as written. It's fascinating to see the story evolve over time, as old ideas are discarded and new ones emerge. The changes made in the Hobbit after publication are also fully covered, including both changes that actually made it into print and others that were made, but never found their way into published versions of the book (including a rewrite begun around 1960 that would have significantly changed the tone of the book, but was abandoned when the party arrived at Rivendell)The book can certainly be a bit tedious at times, and often spends a lot of time on very minor topics. The extensive footnotes for everything written are necessary for this type of work, but can be a bit frustrating on a Kindle, as you click them constantly with no idea whether a major point will be made or something trivial. Finally, there are large sections of the book devoted to similar minor bits of storyline as portrayed in the works of other authors. The point is to show where Tolkien may have gotten his ideas from, but the links are often tenuous and often are far too lengthy, with the effect of making a fairly tough read even more drawn out.

Writing a post on John Rateliff’s encyclopedic The History of the Hobbit isn’t the problem. The problem is writing one that doesn’t turn into a 3,000 word behemoth itself. I will try very hard to keep this post to a reasonable length while dropping as many nuggets of knowledge as possible.Rateliff’s primary focus is Tolkien’s original draft of The Hobbit. A full, heavily annotated copy is included. The text itself is footnoted, and each chapter (there were no chapter divisions in the original draft, so according to the final book) is followed by a section digging into it. Most notable perhaps are the notes on the etymology of various words Tolkien invented and comparisons with the Silmarillion as it existed at that time (quite different than what would eventually be published). Rateliff also includes Tolkien’s occasional bouts of outlining, and notes the probable splits in the drafting (Tolkien tended to work in great spurts in between academic semesters).Rateliff views The History of the Hobbit as complementary to Douglas Anderson’s The Annotated Hobbit (which I have not read). The Annotated Hobbit “takes as a starting point the first printing of 1937 and scrupulously records every change and correction to the text by Tolkien from that point onward, while [Rateliff looks] backwards from the moment of the first printing to tell the story of how the book was written.”Rateliff’s book is particularly interesting for its examination of Tolkien’s source material. Many books note that, for example, Tolkien was inspired by Beowulf, but the length of Rateliff’s book and the focus on just The Hobbit allow for him to cast a far wider net. For example, Rateliff gives examples from Dunsany of “really good and legendary burglars.”I find myself thinking a lot these days about the inherently derivative nature of fantasy. The History of the Hobbit makes that obvious. It isn’t that Tolkien directly copied someone else; it is that there were sometimes dozens of examples of a single motif that he could draw from. The idea that he drew heavily from Wagner’s Ring Cycle is a lot less convincing when you consider that his original conception of the ring was very different and that magic rings are a common motif in folklore. Even something like petrification, that he may have introduced to English fiction, was an example of Tolkien popularizing, rather than inventing, a motif. In Tolkien’s case, this was intentional. He saw great value in folklore, in the reinvention of folklore, and in “ancient belief over artificial invention.”As I mentioned above, the ties to Beowulf are hardly unknown, but Rateliff’s analysis is robust and welcome. Even more so are his comparisons to Sigurd.I have few points of contention, although Rateliff’s refusal to speculate on Beorn’s height and his dismissiveness toward those who have is weird coming from a guy who wrote a book analyzing and speculating on everything else in The Hobbit.Rateliff makes a very convincing case that The Hobbit is and was always intended to be closely tied to Tolkien’s legendarium. Of course that legendarium would look very different by the time it was finally published. That created any number of problems for Tolkien, as did the elements pulled into The Lord of the Rings, but he had a knack for fixing seeming contradictions in worldbuilding with more worldbuilding, “solving a problem in the received text by addition, not contradiction or replacement.”It is remarkable is how little Tolkien changed his original draft prior to its first publication. But there are some important differences from his first conception. Thranduil and the Mirkwood wood elves, not so heroic even in the published book, were originally worse. The biggest change, though, is that Tolkien originally planned a large battle near the Anduin on the return journey. This would have involved Beorn and the goblins, but not the dwarves. Eventually he settled on bringing Beorn and the goblins east for the Battle of Five Armies. In doing so, he avoided the problems the Scouring of the Shire would later create for The Lord of the Rings. Rather than place an important scene in an overlong denouement, he is able to incorporate it into a stronger climax.More nuggets:• Rateliff dates the drafting as starting in the summer of 1930 and ending in January 1933 (there is quite a bit about why he settles on these dates even though others, including Humphrey Carpenter, offer different dates)• Tolkien started work on a full revision of The Hobbit in 1960 to match The Lord of the Rings in both tone and canon, but abandoned it early on after feedback; the new work simply wasn’t The Hobbit (Peter Jackson would later apparently receive no such feedback)• According to Tolkien, “Mirkwood is not an invention of mine, but . . . probably the Primitive Germanic name for the great mountainous forest regions that anciently formed a barrier to the south of the lands of Germanic expansion”• Tolkien toyed with the idea that “the original orcs were the least of the spirits corrupted by Morgoth, just as balrogs are greater spirits”—the orcs and goblins we see would have been their lesser descendants• John the Evangelist was Tolkien’s favorite apostle• Dunsany used man-sized spiders in his story The Fortress Unvanquishable, Save For Sacnoth• Tolkiens’ elves were originally smaller than humans• The Mirkwood chapter (one of the best, in my opinion) was the only chapter extensively rewritten prior to the book’s original publication (Tolkien cut Bilbo using a ball of spider-thread to find his way and added the enchanted stream)• The Jewish influence on Tolkien’s dwarves both resulted in a much more positive depiction than that of the folklore from which he drew and long predated his 1965 radio interview in which he directly identified the influence• Tolkien at one point made a note asking “what happened to the musical instruments used by the Dwarves at Bag-end?” (I’m glad I’m not the only one who wondered that)

If you get this book for nothing else, get it for two reasons...1) This book has the COMPLETE original version of "Riddles in the Dark" before Tolkien re-wrote the chapter to bring it in line with what was being created in the LOTR. Spoiler Alert--Gollum was just plain pathetic!2) This book also covers a 1960's attempt by Tolkien to re-write the Hobbit to be more in keeping with the adult tone of the LOTR. He actually got the company as far as Rivendell, before he showed it to someone whose opinion he obviously respected. The verdict--it was brilliant, but NOT the Hobbit. This book contains the complete re-write to as far as Tolkien went. Be your own judge... (me, I really liked what was being done. Wish he had completed it)

Mr. Rateliff clearly did his research into the writing history of one of the most beloved children's books. I loved learning about Tolkien's process of writing and re-writing The Hobbit. The facsimile of the first edition of The Hobbit was a great addition to the book.

While clearly not for everyone, The History of the Hobbit is a great read if you are interested in the writing processes undergone by Tolkien when he wrote the Hobbit. If you are a fan of the History of Middle Earth series, you will probably really enjoy this book. If those books weren't for you, you will likely not enjoy this book either.

I gave this book five stars since the author was able to expound about Tolkien's thought process when creating his fictional world and the creatures living in, on and under Middle Earth and Arda. This is a scholarly work and will only be appreciated by those readers of Tolkien's created universe who appreciate the effort Tolkien expended in creating his fictional world.

If you love backstories, and the Hobbit, you will LOVE this book. It is fascinating to read how the Hobbit changed from conception thru revisions to the final book.

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