Download Thirteen Ways of Looking at a Black Man, by Henry Louis Gates Jr.
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Thirteen Ways of Looking at a Black Man, by Henry Louis Gates Jr.
Download Thirteen Ways of Looking at a Black Man, by Henry Louis Gates Jr.
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From the Inside Flap
s a book of stories," writes Henry Louis Gates, "and all might be described as 'narratives of ascent.'" As some remarkable men talk about their lives, many perspectives on race and gender emerge. For the notion of the unitary black man, Gates argues, is as imaginary as the creature that the poet Wallace Stevens conjured in his poem "Thirteen Ways of Looking at a Blackbird."James Baldwin, Colin Powell, Harry Belafonte, Bill T. Jones, Louis Farrakhan, Anatole Broyard, Albert Murray -- all these men came from modest circumstances and all achieved preeminence. They are people, Gates writes, "who have shaped the world as much as they were shaped by it, who gave as good as they got." Three are writers -- James Baldwin, who was once regarded as the intellectual spokesman for the black community; Anatole Broyard, who chose to hide his black heritage so as to be seen as a writer on his own terms; and Albert Murray, who rose to the pinnacle of literary criticism.
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About the Author
Henry Louis Gates, Jr., is the W.E.B. Du Bois Professor of Humanities and chair of the Department of Afro-American Studies at Harvard University. He has been the editor of such collections as Reading Black, Reading Feminist, The Norton Anthology of African-American Literature, the forty-volume Schomburg Library of Nineteenth-Century Black Women Writers 1910-1940, and the series editor of the complete works of Zora Neale Hurston. He is the author of The Signifying Monkey, which received the American Book Award, Figures in Black, and the memoir Colored People, among other books. A staff writer for The New Yorker, he lives in Cambridge, Massachusetts.
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Product details
Paperback: 256 pages
Publisher: Vintage; First Paperback Edition edition (February 3, 1998)
Language: English
ISBN-10: 0679776664
ISBN-13: 978-0679776666
Product Dimensions:
5.1 x 0.6 x 7.9 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#787,614 in Books (See Top 100 in Books)
this help somewhat
Interesting read
This book will challenge you to look at men who have been instumental politically and educationally in America. You may not close the book liking them all and probably won't agree with everything they said or did, but you will go away with more knowledge and understanding of their positions.
Love this book! Provides some really insightful information about the personalities of those discussed.
This is a good book. It is thought provoking and challenging. More relevant to an American audience but definitely worth a read.
Henry Louis Gates, Jr. masterfully profiles eight black men in this collection of his New Yorker essays. He writes in a bluesy, artistic style and has the ability to get quotes from these men that any other journalist would fail to do. The men intimately discuss the tragedies and successes of their lives. The stories of these men details their ascent and depicts the world around them. Gates daringly portrays O.J. Simpson and the infamous trial and Louis Farrakhan, the outspoken leader of the nation of Islam. The other men profiled are James Baldwin, Albert Murray, Bill T. Jones, Colin Powell, Harry Belafonte, and Anatole Broyard. Each of their lives have distinct differences, but it is also interesting to find the areas where they overlap.The portraits of Powell and Farrakhan stand out the most to me as Gates sheds light on the stories behind the men that we rarely see. I recommend this book for its intriguing stories, dynamic language, and true concepts of what it means to be a black man in America.
Gates is a master of his craft; his writing is original, insightful and is of the whole cloth-- weaving visual images with literary allusions and references to the person that render all of what we might rightly know of a visible self. The portraits are intellectually rich and intellectually satisfying. His rendition of the crack in Jesse Jackson's reaction to Colin Powell-- which only comes out in private, is absolutely magical and priceless for the emotional nuance it conveys (in a loving and hilarious style). Like an exquisite and rare gourmet meal for the mind, one wants these profiles never to end for the knowledge and reality that they impart.
One of Henry Louis Gates, Jr.'s stated goals is to expose the constant hovering shadow of racial identity that, unbidden and unspoken, lives beside us. In that venture he succeeds and, I suspect, most poignantly for Negroes. Yet as illuminating and cathartic as this book might be for the black psyche, it may be more so its white counterpart.Daily news and live encounters too often remind us, or me anyway, of the unsavory and resistant pathologies that blight our black communities, so that the actual potential of an entire people can seem in doubt. (Is it too much to ask that reality matches our desperately hopeful cant?) But Gates's talent alone refutes this notion; his prose flows so smoothly and cuts so deftly that I'd do the shopping and pay the bill, just to read his grocery list. And if Gates alone doesn't accomplish that, then the seven complex lives he splays on his pages certainly do.This happens not because of some strained attempt to rehabilitate an image. Rather, because he examines his subjects like the diamonds that they are, and unflinchingly rotates them to reveal both superb facets and fatal flaws wherever they arise. In doing so, any nagging questions of ability seem ridiculous, leaving cultural impediments as the villain in a national tragedy. Black excellence is the ultimate rejoinder.I grabbed this collection in a rush at the bookstore, and only later did I realize that I had read two of the chapters in The New Yorker. Most (all?) of them were first published there. Still, I don't regret it.
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